Full concerts

“Banana Co.”, “Killer Cars” and “Yes I Am” all get their first known outing here. The tape clips the end of “You” and the start of “Vegetable”.

Their first show outside the UK, a Black Session for French radio, with the interview and the banter left in. One of six nights in the archive with “Rhinestone Cowboy”. Three sources, the Radio France one doing most of the work.

Sat unlabelled on an old VHS until commenters worked out which night it was. The uploader calls the quality terrible, so this one is for completists, with “How Do You?” and “Million Dollar Question” in the set.

The last “Million Dollar Question” in the archive. Interview segments with Colin and Thom are cut in between the songs, and the video starts on “Creep”.

An early-days set with “Thinking About You” slipped in near the end, just before “Blow Out”.

The final night of the co-headline tour with Belly. “Yes I Am” sits fourth, and it still ends on “Blow Out”.

Shot on VHS by João Cruz. Twelve songs, with “(Nice Dream)” in the middle and “Stop Whispering” to close.

The first “Black Star” in the archive, six nights into the tour. It closes on “Just”.

Radiohead put this one up themselves. Seventeen songs, from “You” through “Fake Plastic Trees” and “Street Spirit” to a “Blow Out” finish.

Mastered from a VHS tape. The encore digs right back: “Killer Cars”, “Banana Co.”, “Pop Is Dead”, “Inside My Head” and finally “Maquiladora”.

Reading opens on “Sing a Song for You”, a cover making its debut and played on only two nights. The rest is the 1994 set, ending on “Anyone Can Play Guitar”.

Their second Black Session. The archive's one “Union City Blue”, debuted and retired the same night, sits between “Planet Telex” and “Creep”. Two audio sources, cleaned up.

Video upscaled to 1440p60 with a better audio source laid over it. The one thing missing is any picture for the opener, “The Bends”.

A small club and, by the uploader's account, a top-quality audience shot. “Permanent Daylight” and “Bullet Proof..I Wish I Was” both make the set.

The first “True Love Waits” in the archive, sixteenth song of twenty. Nobody knows who taped it. “Nobody Does It Better” turns up near the end.

Pro-shot, remastered from the JBTV broadcast, with soundboard audio. It sits between The Bends and OK Computer, and “Lift” and “Electioneering” are already in the set.

Filmed on Hi8 by P.N. After “High and Dry”, Thom says they got back from America a day ago and calls “Electioneering” a new song about it.

Another of P.N.'s Hi8 masters, transferred by TravisBickle1963 and upscaled to 50fps. “Airbag” comes late, before “Blow Out” and “You”.

Pinkpop's own archive upload, the day after the Bataclan. A festival set that opens on “My Iron Lung” with “Lift” in the middle.

The first “Climbing Up the Walls” and the first “Karma Police”, on a bill with Alanis Morissette. “Paranoid Android” is in it too, eighth of twelve.

From an AMT Hi8 master, transferred again in 2020 and deshaked. Thom asks if it has stopped raining, and the crowd says yes. Massive Attack and Teenage Fanclub were on the bill.

The Orange Scene, from a Video8/Hi8 master tape. Thirteen songs, “Lucky” first and “Street Spirit” last.

Twenty songs, opening on “Lucky”, with “The Tourist” and “High and Dry” held back until just before “Street Spirit” closes it.

The band's own upload from the Eurockéennes. “Lucky” to “Just”, with “Creep” second to last.

The uploader synced a better audio source to the DVD picture; between encores the camcorder's own sound takes over. “Polyethylene” comes second to last, before “Street Spirit”.

The fan club show, and Thom played it with food poisoning. One of four nights with “A Reminder”, in an encore that also has “Motion Picture Soundtrack” and “Nobody Does It Better”.

The “Fitter Happier” tape plays them on. “The Trickster” is in, one of nine nights for it, and “The Tourist” closes.

“Fitter Happier” as the intro, then “Airbag” and “Karma Police”. “High and Dry” ends it, after “Subterranean Homesick Alien” and “Street Spirit”.

From a master VHS with tape trouble for the first 23 minutes; it settles after that. “Subterranean Homesick Alien” comes last, after “Street Spirit”.

Teenage Fanclub and DJ Shadow supported. Twenty-three songs after a “Meeting in the Aisle” intro, with “The Tourist” last.

Taped for MTV's Live at the 10 Spot. This is all 21 songs: the ones the broadcast left out are filled in with a good audience shot.

One of nine nights with “The Trickster”, and “Big Ideas” turns up late in the set. The uploader warns of flashing lights in “Planet Telex”.

Thom dedicates “Paranoid Android” to Bill Gates. “Pearly” and “The Tourist” close it.

Opens on “Meeting in the Aisle”, played on only four nights, and finds room for “The Trickster” and “How to Disappear Completely”. A good audience shot with very good sound.

Two nights from the end of the tour. Thom tells Worcester that Bill Gates controls nuclear missiles by satellite, and gives “Let Down” to the people clattering their seats. “Polyethylene” is in too.

The tour's last night, and the last “The Trickster” and “Polyethylene” ever. Thom introduces “How to Disappear Completely” as a new song he does to calm himself. From a Hi8 master.

Eight songs at the Tibetan Freedom Concert, with Michael Stipe joining them for “Lucky”.

The first “Kid A” and the first “You and Whose Army?”, Colin on upright bass for both. “Optimistic” opens, its first time in that slot, and “No Surprises” cuts in late.

Thom abandoned an acoustic “Killer Cars”, back after 860 days, and played a brand new song alone instead: the first “I Might Be Wrong”.

The first “Follow Me Around”, which got twelve nights. Thom dedicates song after song to a sponsor, “Airbag” to Ford and “Paranoid Android” to IBM and Gucci.

Canal+'s Nulle Part Ailleurs broadcast. Debuts for “Packt Like Sardines in a Crushd Tin Box” and “Cinnamon Girl”, and the false start on “How to Disappear Completely” is left in.

The band's own upload, second night of the tour. It opens on “The National Anthem” and ends, two hours on, with “The Bends”.

The last “Killer Cars” in the archive, and the last song of the night. Great audio and a weaker picture, says the uploader.

Four nights in, ending on “Climbing Up the Walls”. The uploader had to cut a Limp Bizkit intro before YouTube would give it HD.

Pinkpop's own archive again, five years after the 1996 set. Nineteen songs, closing on “How to Disappear Completely”.

Later with Jools Holland, and the only “Life in a Glass House” in the archive. “Cinnamon Girl” is here too; “Paranoid Android” is not, cut from the upload to dodge a block.

The first “Reckoner” in the archive, tucked between “Airbag” and “No Surprises”. The picture stutters at the start and settles by “My Iron Lung”.

The last “Motion Picture Soundtrack” they ever played, and they still came back for “Creep” after it. A 24-song set with “Knives Out” and “Fake Plastic Trees” in the middle.

Rozy's camera, a DVD that sat unshared until it turned up as a holiday gift to the trading hub in 2012. “Hunting Bears” comes second, and the night ends on “How to Disappear Completely”.

Last ever “Pearly”, in the second encore, with “True Love Waits” and “In Limbo” in the same set. Three nights from the end of the tour. The uploader rates the picture as watchable rather than sharp.

Watch for “Pyramid Song”: Colin's double bass kept feeding back, so they stopped halfway and he finished it on another one. A short festival set that ends on “There There”, with “A Punch-Up at a Wedding” already in it.

The MTV $2 Bill show. Opens with “There There” and “2 + 2 = 5”, finds room for “Scatterbrain” and “Backdrifts”, and goes out on “True Love Waits”.

Moved to Giants Stadium after the festival's original site fell through. “There There” comes in off “Where Bluebirds Fly”, and the second encore runs “Myxomatosis” into “Talk Show Host”.

Two nights before Glastonbury, and very nearly the same set. The night was webcast and on the radio, and this has “Exit Music (For a Film)” opening the encore and “Karma Police” closing it.

The Pyramid Stage headline set. Nineteen songs, from “There There” to “Street Spirit (Fade Out)”, with “Sit Down. Stand Up.” and “Go to Sleep” back to back in the middle.

The band's own upload from Eurockéennes. “Scatterbrain” turns up sixth and “Kid A” is pushed back into the encore.

“Bones” sits tenth in a 24-song set, and the encores stack “The Gloaming”, “Pyramid Song” and “Like Spinning Plates” before “Karma Police” sends everyone home.

Second of two nights in the piazza. “Fog” comes third, of all places, and “A Wolf at the Door” is in the main set. Grey lines run over “There There” and clear by the end of it.

Twenty-five songs, and one of them is “After the Gold Rush”, which turns up on four nights in the archive. “The Tourist” and “Bones” are in the encores too.

First night of the American leg, opening cold on “2 + 2 = 5” and with “Creep” in the middle. The video is a 480p audience shot upscaled, laid over a clean pre-FM soundboard.

Things go wrong in a good way. A false start on “Sail to the Moon” has Thom drifting into “Big Ideas” while Jonny fixes his distortion, “(Nice Dream)” returns, and a broken keyboard kills “Myxomatosis” before it starts.

Thom introduces “Myxomatosis” as a dirty song for dirty people, then pulls faces into the piano camera through “You and Whose Army?”. Full coverage starts a few minutes in, during “Sit Down. Stand Up.”, and “We Suck Young Blood” is here.

“Big Ideas” in full, only the second time on this American tour, with “Creep” ninth in the set. Supergrass opened.

Opens on “The Gloaming”, and “In Limbo” turns up ninth. The taper's own verdict is decent video and stellar audio, which is about right.

Second night at the Garden, and the one where a fan gets on stage during “Airbag”. Thom carries on singing. Low supported.

The last night of the American run, 23 songs from “The Gloaming” to “Everything in Its Right Place”. “Climbing Up the Walls” and “How to Disappear Completely” both get a turn.

Bonnaroo's own footage, put up by the band: 28 songs, nearly two and a half hours. “15 Step” and “Weird Fishes/Arpeggi” come third and fourth, and “House of Cards” is late in the encore.

Starts on “You and Whose Army?”, which is odd enough, then gives you “4 Minute Warning”, one of eleven nights it was played. “Down Is the New Up” and “Bangers + Mash” too. The audio sync wobbles in places.

The last “Black Star” ever, in the encore beside “True Love Waits”. Night two in Berkeley also has “Go Slowly” and “All I Need” in early form, and finishes on “The Tourist”.

A good audience shot with top-notch sound. “Bodysnatchers” arrives sixth, “Go Slowly” eighth, and the encore puts “Nude” right before “Everything in Its Right Place”.

Pukkelpop, opening on “Airbag” and “The National Anthem”. A festival-length run of 22 that puts “Karma Police” sixth and saves “Fake Plastic Trees” for near the end.

Taped by dusta, with good pictures for a festival field. The end is the thing: “True Love Waits”, “Everything in Its Right Place”, then “Creep”.

Rock en Seine. “Videotape” and “Nude” sit next to “Fake Plastic Trees” early on, and the encore runs “Bodysnatchers” into “There There” and “Karma Police”.

A Brick Lane club show the band put up themselves, almost all In Rainbows. “Up on the Ladder” comes back after 1,988 days for what turned out to be the last time.

The In Rainbows From the Basement session, filmed at the Hospital Club. Fourteen songs, “Optimistic” and “Go Slowly” among them.

Opening night of the American tour, starting on “All I Need”. “Bullet Proof..I Wish I Was” returns after 1,478 days away. One audience camera, with some surprisingly good zooms.

Several Italian tapers' cameras cut together into one multicam film, with MLK's audio. Opens on “Reckoner” and ends on “2 + 2 = 5” into “Paranoid Android”.

First of two nights in the park. A strong audience shot, with audio from a recording somebody bought off a stall in Camden Market. “Planet Telex” and “The Tourist” turn up in the encore.

Night two, with a different set: “Reckoner” first, “Lucky” and “Myxomatosis” in, “Karma Police” and “Go Slowly” late. The sound is rougher than night one's.

Headlining Lollapalooza, from a fan who filmed most of it. A couple of songs short of the full show.

Thom after “Bodysnatchers”: “If you're looking for Kid Rock you're at the wrong place.” The set goes out on “The National Anthem” and “Street Spirit (Fade Out)”.

Assembled by a fan from other people's clips and an audio source, so the picture changes from song to song. Nobody filmed “Bodysnatchers”, which plays over a blank screen.

The Outside Lands set where the sound failed. Opens “15 Step” into “Reckoner”, with “Talk Show Host” early.

A fan's tape that starts at “Airbag”, so the opening “15 Step” is missing. After that, “Optimistic”, “Faust Arp” and a late “Street Spirit (Fade Out)”.

The band's own film, dedicated to their production manager Richard Young. Opens “Reckoner” into “Optimistic”, with Colin's backstage photo on the upload.

The last “Knives Out”, though the band's 87-minute cut leaves it out, along with “Airbag” and a few others. What is left starts on “15 Step” and “Just”.

Rio, their first South American show, built months after the fact by the Rain Down Project from fans' phones and cameras. Kraftwerk were on before. Closes on “Creep”.

Another Rain Down Project edit from many cameras, soundboard audio on some songs. Twenty-six songs, “Talk Show Host” and “Exit Music (For a Film)” among them, and “Creep” to finish.

Buenos Aires, pro-shot and posted by the band. “Kid A” fifth, “Planet Telex” in the encore, and “Creep” as the very last song.

Night 95 of 101, and it ends on “Creep” straight after “Everything in Its Right Place”. The uploader is honest about the DVD: a shaky audience shot with the crowd singing along, though some stretches look very good.

The Prague fan film, shot by a group of fans who set out to catch the band from as many angles as they could; it got a cinema screening in 2010. “True Love Waits” turns up near the end, between “The Bends” and “Everything in Its Right Place”.

The last “Bangers + Mash” ever, wedged between “Karma Police” and “Bodysnatchers”. Multicam DVD stitched from fans' videos and audio, with “Lucky” and “Creep” to finish.

Last night of the In Rainbows run, and they open with “Creep”. The edit uses the HDTV broadcast where it exists and the band's own radiohead.tv release for the rest, so the picture drops to SD from “There There”.

The Haiti benefit for Oxfam America, with the first “Lotus Flower” anywhere and the last “Faust Arp” and “Dollars and Cents”. The multicam was made with Radiohead's and Oxfam's blessing, and its makers ask for a donation to the fund.

The surprise Park Stage set: 14 songs, seven of them played live for the first time, “Bloom” and “Separator” among them. James Clarke's multi-shot film ends on “Street Spirit”.

The band's own From the Basement session, produced and mixed by Nigel Godrich. First “Feral” and “Codex” in this archive, and “Supercollider” closes it, three years after its last outing.

Night two at Roseland, with “Subterranean Homesick Alien” and “Like Spinning Plates” in among the new songs. “Codex”, which this archive has on only 12 nights, follows “Lotus Flower”.

The 2012 arena tour starts here with three songs new to the stage. “Identikit” stuck; “Cut a Hole” made two nights in all and “Meeting in the Aisle” four.

Esquire sent Tom Junod to review this one. It opens on “Bloom” and “Little by Little” and closes on “Street Spirit”.

“Packt Like Sardines in a Crushd Tin Box” comes back after more than ten years, for what turned out to be the last time. Fan-shot video with the audio cleaned up.

KeyArena, with “These Are My Twisted Words” slotted in after “The Daily Mail”. After the break it is “Give Up the Ghost”, “Reckoner” and “Everything in Its Right Place”.

The band's own film of their first Coachella weekend, with “Karma Police” arriving after “Myxomatosis” and “Paranoid Android” to finish.

Caribou opened this leg. The set leans on The King of Limbs, puts “Supercollider” and “The National Anthem” back to back, and ends on “Bodysnatchers” then “Reckoner”.

First of two Newark nights: “Bodysnatchers” third, “Karma Police” after “There There”, “Reckoner” last.

Night two in Newark brought “Go to Sleep” back for the first time in eight years. “Kid A” comes fourth.

Two nights after its return, the last “Go to Sleep”. “Codex” and “Meeting in the Aisle” sit side by side early on, a pair this archive has on 12 and 4 nights.

Full concert in HD, from the walk-on music to “Egyptian Fantasy” playing them off. “Like Spinning Plates” and “Climbing Up the Walls” are in it, and it ends with “Exit Music (For a Film)” into “Paranoid Android”.

The Bonnaroo headline set, which went out as a webcast. “House of Cards” and “I Might Be Wrong” are both in, and it closes on “Paranoid Android”.

The live debut of “Ful Stop”, and the last “The Amazing Sounds of Orgy”, a song this archive has on six nights. Copperpot5 put the film together; it ends with “Street Spirit”.

The night after Tinley Park, with “Ful Stop” on its second outing straight after “Exit Music (For a Film)”. Same uploader and format as the Blossom film, intro music and exit song included.

A collage of phone videos from a crowd of fans, each song credited to the people who shot it. “Like Spinning Plates” and “Ful Stop” are in; “Idioteque” closes.

Night two at the O2, synced to malcolmb's audience audio from Dimeadozen. “Planet Telex” turns up late on and “Idioteque” has the last word.

Jonny makes a speech before “Give Up the Ghost” in the second encore, the uploader notes. The first encore opens on “Exit Music (For a Film)”.

SD and plain. “Lucky” comes second, “These Are My Twisted Words” and “Ful Stop” sit mid-set, and “Idioteque” is last.

Achtungpop's HD multicam, cut from six fans' cameras. “Planet Telex” follows “Reckoner”, and the night ends on “Idioteque”.

The last “Staircase”, fourth in the set, on the tour's second-to-last night. The uploader notes that “Climbing Up the Walls” is only partly filmed.

Opening night of the A Moon Shaped Pool tour, with seven songs getting their live debut and the first four of them up front. “My Iron Lung” returns after seven years, and this is one of only five “Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief” nights.

Primavera Sound, and it ends on “Creep”. “Talk Show Host” and “No Surprises” come early.

Radiohead's own film of the St. Gallen OpenAir. “Lucky” sits sixth, and the last two are “Exit Music (For a Film)” and “Karma Police”.

NOS Alive, closing on “Creep” and then “Karma Police”. “My Iron Lung” and “Talk Show Host” come back to back early in the set.

Garden night one brought back “Let Down” after ten years and played the last “Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief”. Filmed close up from the crowd.

Night two at the Garden, a multicam synced to taper audio. “Climbing Up the Walls” comes seventh and “Creep” closes.

Lollapalooza's headline set. Early on it is “2 + 2 = 5” into “Myxomatosis”, and the end is “Street Spirit” then “Karma Police”.

From the band's channel: Osheaga, with “Feral” in the middle and “Creep” as the very last song.

“True Love Waits” comes after “No Surprises” at the Shrine. The uploader's own caveat: “Separator” is only partly on video.

Outside Lands, with “Climbing Up the Walls” and “Exit Music (For a Film)” back to back inside the first half hour.

Radiohead's own upload from Summer Sonic. “Creep” comes third from the end, before “Bodysnatchers” and “Street Spirit”.

Lollapalooza Berlin, filmed for the band's channel, finishing on “Creep” then “Karma Police”.

Before “2 + 2 = 5”, Thom sings a bit of The Smiths' “How Soon Is Now”, by the uploader's timestamps. Austin City Limits weekend one, ending on “There There” and “Karma Police”.

First of two Mexico City nights, with “Fake Plastic Trees” back in the set before “Creep” closes it. The uploader flags an extended intro to “Burn the Witch”.

First night of the 2017 US run, and “The Tourist” comes back after almost nine years, along with “Morning Bell”. Stitched together from other people's YouTube clips and a clean audio source.

“Where I End and You Begin” returns after eight and a half years. A ProRes multicam, though “Desert Island Disk” has no picture.

Front-row 4K, shaky for the first three songs while the photographers work, with glitches during “Bodysnatchers” and “Present Tense”. It holds the last “These Are My Twisted Words”, the first in four years.

Coachella's second weekend, from the band's own channel. “My Iron Lung” is in, and the show ends with “Lotus Flower” and “Idioteque”.

The first of two Oslo nights, stitched together from fans' YouTube clips laid over a taper's audio. Worth it for “I Might Be Wrong” and “Desert Island Disk” sitting in the same set.

Northside festival set with no notes from the uploader. “Myxomatosis” comes early, “The Gloaming” lands after “Idioteque”, and it ends on “Karma Police”.

The last stop before Glastonbury. “I Promise” and “Present Tense” turn up late in the set, and instead of the usual “Karma Police” it closes on “How to Disappear Completely”.

Glastonbury, from the BBC's broadcast. Proper cameras, “Creep” near the end and “Karma Police” to finish.

The band's own upload from Open'er, with a poster by Madeleine Badayei. Closing on “Street Spirit” after “The National Anthem” is the reason to stay to the end.

Rock Werchter at 720p, uploaded without a word of description. “Climbing Up the Walls” comes late in the set and “My Iron Lung” just before the last song.

The cricket ground night, opening on “Let Down”. It is the last “I Promise” in the archive, played late on before “The Bends” and “Karma Police”.

TRNSMT's main stage. Another “Let Down” opener, “There There” in the first half hour and “The Bends” before the closer.

Santiago opens the 2018 South American run. Watch for the false start on “All I Need”, and “Where I End and You Begin” early on.

Rebuilt into one video from the ExitMusicAr channel's footage. It has “Climbing Up the Walls”, “Desert Island Disk” and “I Might Be Wrong”, and it closes on “Creep”.

Their first show in Peru, filmed and posted by the band themselves. Ends on “Creep”, “Paranoid Android” and “Karma Police”.

The last “True Love Waits” in the archive. The edit is built from fan videos and the uploader says a few bits are missing, “Feral” among them.

Another of the band's own uploads from the South American leg. No “Karma Police” here: it ends on “Fake Plastic Trees”.

First Colombia show, at a venue moved to Parque Simón Bolívar. It is also the last “Creep” in the archive, two from the end.

The North American summer leg starts here, filmed in 4K. “Blow Out” comes back for what is its last outing, followed by “No Surprises” and “There There”.

Night two in Chicago, and the first “Spectre”, played seven times in all. “Kid A”, “Separator” and “Climbing Up the Walls” in the same set; the uploader calls it ridiculous.

Night one of four at the Garden. “Optimistic” and “The Tourist” come back into the set, “Morning Bell” is fourth, and it closes on “The Bends”.

A fan multicam edit cut from about 150 YouTube videos, with audio matrixed from three tapers. The second “Spectre” is in it, after “The Gloaming”.

Shot from directly in front of Jonny. “Like Spinning Plates”, “Videotape” and “Separator” all in one night.

The last of the four Garden nights, in 4K. “Give Up the Ghost”, “House of Cards” and the third “Spectre”, then “Optimistic” and “Karma Police” to close.

Opens on a Nina Simone recording before “Daydreaming”. “Give Up the Ghost” and “The Tourist” come late in the set; the uploader has since posted a remastered copy.

The second Montreal night, with “Spectre” fourth from the end and “Fake Plastic Trees” as the closer. The uploader admits the camera settings gave the picture a grainy, velvety look.

A multicam patched from every upload the editor could find, with gaps: “Ful Stop” is partial and “Myxomatosis” has no picture at all. The last “Identikit” in the archive is in here.

The last “My Iron Lung” in the archive, with “Talk Show Host” and “Give Up the Ghost” late in the night. Same multicam editor as the night before, and “Ful Stop” is partial again.

“A Wolf at the Door” and “Talk Show Host” both make the Cincinnati set. The uploader tweaked the picture song by song, which is why it darkens suddenly in places.

Their first Pittsburgh show in 21 years, per the uploader, in 4K. “The Daily Mail” is in the set, and so is the last “Morning Bell” in the archive.

The penultimate night of the tour. Three songs bow out: “I Might Be Wrong”, “The Numbers” and “Feral”, and the set ends on “Street Spirit”.

Tour finale, and the last night in the archive for “Lotus Flower”, “House of Cards”, “Spectre”, “The Tourist”, “Decks Dark” and “Desert Island Disk”. Keep it running for the stage being taken down at the end.

First show since 2018, opening on “Let Down”. “Sit Down. Stand Up” returns after 7,857 days, more than 21 years, and “Subterranean Homesick Alien” is back too.

Madrid's second night, with “Jigsaw Falling Into Place” and “Nice Dream” back for the first time in about sixteen years. “Planet Telex” turns up late in the set.

Opens on “Planet Telex”. The multicam includes the last “Subterranean Homesick Alien” to date.

Bologna's second night: “2 + 2 = 5” first, “Optimistic” and “Nice Dream” in the set, and “Everything in Its Right Place” to finish.

“Kid A” and “Talk Show Host” return after seven years. It is the last “Talk Show Host” to date.

Filmed handheld on an iPhone 16 Pro from behind the mixing desk. The set runs from “2 + 2 = 5” to “Everything in Its Right Place”.

London's first night, their first at the O2 in seven years. “Planet Telex” opens and “Just” comes second from the end.

Watch for “Climbing Up the Walls”, back after 2,678 days and not played since. The upload is close to complete.

“Like Spinning Plates” comes back after 2,676 days. The uploader filled the last five songs with other fans' audio.

The first Copenhagen night, after the two before it were postponed. The uploader is glad to hear Thom's voice back, and it is the last “Nice Dream” to date.

Shot in 4K at 60 frames. It carries the last “Like Spinning Plates” to date, just before “Paranoid Android” and “There There”.

Berlin's first night, with “All I Need” moved down to the back half and “A Wolf at the Door” ahead of “You and Whose Army?”.

The last “Optimistic” and “How to Disappear Completely” to date, both in Berlin's second night, which closes on “There There”.

Ends on “No Surprises” in place of “Karma Police”. The last “The National Anthem” to date comes four songs earlier.

Fourth Berlin night, with the set shuffled: “Fake Plastic Trees” ninth, “Just” mid-show and “Karma Police” to finish.

Moved from 1 December, and the last outing to date for eleven songs, “Planet Telex”, “Daydreaming” and “Just” among them. Closes on “No Surprises”.

The last night of the 2025 tour, which makes every song in it the last to date. The uploader cut out the mid-video ads and rates it the best-sounding of the seven shows they went to.