Full concerts

Opening night of the A Moon Shaped Pool tour, with seven songs getting their live debut and the first four of them up front. “My Iron Lung” returns after seven years, and this is one of only five “Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief” nights.

Primavera Sound, and it ends on “Creep”. “Talk Show Host” and “No Surprises” come early.

Radiohead's own upload of the St. Gallen OpenAir, filmed by the Swiss broadcaster SRF. “Lucky” sits sixth, and the last two are “Exit Music (For a Film)” and “Karma Police”.

NOS Alive, closing on “Creep” and then “Karma Police”. “My Iron Lung” and “Talk Show Host” come back to back early in the set.

Garden night one brought back “Let Down” after ten years and played the last “Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief”. Filmed close up, the uploader says.

Night two at the Garden, a multicam synced to audio from a fan's own recording. “Climbing Up the Walls” comes seventh and “Creep” closes.

At Lollapalooza. Early on it is “2 + 2 = 5”, then “Myxomatosis”, and the end is “Street Spirit” then “Karma Police”.

From the band's channel: Osheaga, with “Feral” in the middle and “Creep” as the very last song.

“True Love Waits” comes after “No Surprises” at the Shrine. The uploader's own caveat: “Separator” is only partly on video.

Outside Lands, with “Climbing Up the Walls” and “Exit Music (For a Film)” back to back, sixth and seventh.

Radiohead's own upload from Summer Sonic. “Creep” comes third from the end, before “Bodysnatchers” and “Street Spirit”.

Lollapalooza Berlin, on the band's own channel, finishing on “Creep” then “Karma Police”.

Before “2 + 2 = 5”, Thom sings a bit of The Smiths' “How Soon Is Now”, by the uploader's timestamps. Austin City Limits weekend one, ending on “There There” and “Karma Police”.

First of two Mexico City nights, with “Fake Plastic Trees” just before “Creep” closes it. The uploader flags an extended intro to “Burn the Witch”.

First night of the 2017 US run, and “The Tourist” comes back after almost nine years, and “Morning Bell” after seven. Stitched together from other people's YouTube clips and a clean audio source.

“Where I End and You Begin” returns after eight and a half years. A multicam, though “Desert Island Disk” has no picture.

Front-row 4K, shaky for the first three songs while the photographers work, with glitches during “Bodysnatchers” and “Present Tense”. It holds the band's last “These Are My Twisted Words” in the archive, their first in four years.

Coachella's second weekend, from the band's own channel. “My Iron Lung” is in, and the show ends with “Lotus Flower” and “Idioteque”.

The first of two Oslo nights, stitched together from fans' YouTube clips laid over audio from a fan's own recording.

Northside festival set with no notes from the uploader. “Myxomatosis” comes early, “The Gloaming” lands after “Idioteque”, and it ends on “Karma Police”.

The last stop before Glastonbury. “I Promise” and “Present Tense” turn up late in the set, and instead of the usual “Karma Police” it closes on “How to Disappear Completely”.

Glastonbury, with “Creep” near the end and “Karma Police” to finish.

The band's own upload from the Open'er festival, with a poster by Madeleine Badayei. Closing on “Street Spirit” after “The National Anthem” is the reason to stay to the end.

Rock Werchter, at 720p. “Climbing Up the Walls” comes late in the set and “My Iron Lung” just before the last song.

The cricket ground night, opening on “Let Down”. It is the last “I Promise” in the archive, played late on before “The Bends” and “Karma Police”.

TRNSMT's main stage. “Let Down” opens, “There There” in the first half hour and “The Bends” before the closer.

Santiago opens the 2018 South American run. Watch for the false start on “All I Need”, and “Where I End and You Begin” early on.

Rebuilt into one video from the ExitMusicAr channel's footage. It has “Climbing Up the Walls”, “Desert Island Disk” and “I Might Be Wrong”, and it closes on “Creep”.

Their first show in Peru, posted by the band themselves. Ends on “Creep”, “Paranoid Android” and “Karma Police”.

The last “True Love Waits” in the archive. The edit is built from fan videos and the uploader says a few bits are missing, “Feral” among them.

One of the band's own uploads from the South American leg. No “Karma Police” here: it ends on “Fake Plastic Trees”.

First Colombia show. It is also the last “Creep” in the archive, fourth from the end.

The North American summer leg starts here, filmed in 4K. “Blow Out” has its last outing in the archive, followed by “No Surprises” and “There There”.

Night two in Chicago, and the band's first “Spectre”, one of seven nights they play it in the archive. “Kid A”, “Separator” and “Climbing Up the Walls” in the same set; the uploader calls it ridiculous.

Night one of four at the Garden. “Optimistic” and “The Tourist” come back into the set, “Morning Bell” is fourth, and it closes on “The Bends”.

A fan multicam edit cut from about 150 YouTube videos, with audio mixed from three fans' recordings. The second “Spectre” is in it, after “The Gloaming”.

Shot from directly in front of Jonny Greenwood. “Like Spinning Plates”, “Videotape” and “Separator” all in one night.

The last of the four Garden nights, in 4K. “Give Up the Ghost”, “House of Cards” and the third “Spectre”, then “Optimistic” and “Karma Police” to close.

Opens on a Nina Simone recording before “Daydreaming”. “Give Up the Ghost” and “The Tourist” come late in the set; the uploader has since posted a remastered copy.

The second Montreal night, with “Spectre” third from the end and “Fake Plastic Trees” as the closer. The uploader admits the camera settings gave the picture a grainy, velvety look.

A multicam patched from every upload the editor could find, with gaps: “Ful Stop” is partial and “Myxomatosis” has no picture at all. The last “Identikit” in the archive is in here.

The last “My Iron Lung” in the archive, with “Talk Show Host” and “Give Up the Ghost” late in the night. Edited by the same person as the 19 July Toronto multicam, and both have only part of “Ful Stop” on film.

“A Wolf at the Door” and “Talk Show Host” both make the Cincinnati set. The uploader tweaked the picture song by song, and it darkens suddenly in places where they changed the camera's aperture while filming.

Their first Pittsburgh show in 21 years, per the uploader, in 4K. “The Daily Mail” is in the set, and so is the last “Morning Bell” in the archive.

The penultimate night of the tour. Three songs get their last outing from the band in the archive: “I Might Be Wrong”, “The Numbers” and “Feral”, and the set ends on “Street Spirit”.

Tour finale, and the last night in the archive for “Lotus Flower”, “House of Cards”, “Spectre”, “The Tourist”, “Decks Dark” and “Desert Island Disk”. Keep it running for the stage being taken down at the end.