
December 1997 · video
Radiohead
For MTV's Live from the 10 Spot, Radiohead had to hand in their set list three weeks early, and they blame MTV.
the interview desk

December 1997 · video
For MTV's Live from the 10 Spot, Radiohead had to hand in their set list three weeks early, and they blame MTV.

25 August 1997 · radio
The American music industry spends much of its time second-guessing what the public want, one of the band says, and hasn't a clue.

21 August 1997 · TV
Is “Karma Police” two songs? No, yes, no, they say: you get bored with one idea and move on before the song has finished.

17 August 1997 · video
“The Tourist” went last on OK Computer as a note from Thom Yorke to himself to slow down.

13 August 1997 · video
The Dutch speak very good English, O'Brien has noticed, but it comes out like Starsky and Hutch.

August 1997 · TV
Most of OK Computer happened by accident, they say, when they set out to do one thing and found something else was what they wanted.

31 July 1997 · TV
Two days before this interview Thom Yorke recorded with DJ Shadow at Skywalker Ranch, for the band's Oxford friend James Lavelle's UNKLE.

20 June 1997 · radio
Meeting Bernard Butler was one of the main reasons one of them wanted to do the Velvet Goldmine covers of early Roxy Music.

18 June 1997 · video
A percussion group came in for the start of “Paranoid Android”, and one of its players was sacked for being too drunk to play.

15 June 1997 · TV
The plan for a video for every song on OK Computer came halfway through the recording, from Dilly Gent, who commissions their videos.

9 June 1997 · radio
Yorke borrows the Conservatives' election jibe at Labour for his band's new album: New Radiohead, new danger.

7 June 1997 · TV
Thom Yorke or Jonny Greenwood hopes Labour's ban on exporting cattle prods and other instruments of torture starts a lot of good things.

3 June 1997 · TV
The “Paranoid Android” video works, Thom Yorke says, because its hero climbs a lamp post and carries on while a man below swings an axe.

June 1997 · video
Jonny used John Lennon's Hammond on “Fake Plastic Trees” at Abbey Road, where they say a box room still smells of the Beatles' reefer.

8 May 1997 · radio
Pablo Honey was never huge in America, Jonny says; “Creep” was, and they spent their time there travelling round playing it.

May 1997 · radio
Colin backs his brother's answer about the American novelist of his own dissertation, which lifts Jonny to four and into the tie-break.

May 1997 · radio
The first take of “No Surprises”, cut while Euro 96 was on, outlasted four or five reels of retakes made that October.

May 1997 · TV
Carrying on in the manner of The Bends would have been great for the accountants, but as usual they screwed it up.

April 1997 · TV
Peter Buck of R.E.M. once quizzed them over dinner about These Animal Men, an English punk band he owned a record by.

April 1997 · TV
Two weeks in Japan next January will be the longest tour they have played there.

April 1997 · video
The first thing Radiohead ask any video director is whether the band have to be in it.

April 1997 · TV
In Radiohead chat rooms nobody believed it was really them, and they failed a quiz on the colour of Jonny Greenwood's T-shirt in Canada.

18 February 1997 · radio
Ed O'Brien remembers and Colin Greenwood forgets their two picks for the show: Cameo's “Word Up” and Eric B. & Rakim's “Paid in Full”.

1997 · video
Colin Greenwood says the Hammond Jonny played on “Fake Plastic Trees” is the same one John Lennon played at Abbey Road.

1997 · TV
Nine crew had been in the Wiltern since eight in the morning, Radiohead point out, while the band moseyed in at half past three.

1997 · video
Phil Selway's fan club, 20 strong, began with a girl in Japan who was supposed to be at a Phil Collins concert next door.

1997 · TV
The Ozone's reporter keeps telling Radiohead to lighten up and do something nice for the kids, a Peter Andre song perhaps.

1997 · video
In the studio Thom Yorke read fans' transcriptions of bootleg lyrics online while he was still writing the words.

1997 · TV
Recording used to be a chore until halfway through The Bends; now the studio excites them as much as the stage.
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