Radiohead count gold discs in their newsletter
The band's one-page look back at 1993 weighs its lows at home against a year in which “Creep” took them round the world.
News archive
Radiohead in 1994, written up from the press of the day.
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The band's one-page look back at 1993 weighs its lows at home against a year in which “Creep” took them round the world.
Parlophone asked fans to phone in their votes for “Creep”, which Radio 1 had nominated for best single.
It will be the first time the band have played live in Australia, and a limited-edition souvenir EP is due for the visit.
From Seville to the Nürburgring, audiences have heard sets heavy with songs that are on no record yet.
Half a dozen songs are played for the first time, among them “Bones” and “Black Star”.
In the middle of three British dates, Thom Yorke goes on with an ankle he sprained the night before in Manchester.
Thom Yorke arrives at the London Astoria with a sprained ankle and a worn voice.
The tour-guide issue of the band's official fanzine catches them between the studio and a summer on the road.
Sydney's street press gives Radiohead its cover before their first show in the city, and O'Brien uses it to play down the song that got them there.
The first trip east brings five club shows and a mini-album of B-sides and live recordings put together for the visit.
Radiohead's first British dates since November leave their singer injured, hoarse and dreading the biggest night of the run.
A late addition to the tour gives Christchurch the band's first night in the country, a day before Auckland.
The second of two nights in New Zealand closes the band's short run through Japan, Hong Kong and Australia.
On the NME Stage the band play three new songs, and seem thoroughly tired of “Creep”.
A new Chilean magazine's reviewer calls Radiohead the best thing to come out of England lately and says “Creep” has already joined rock's great songs.
The festival set leans on songs nobody can buy yet, and the radio session backstage digs up one the band have hardly ever played.
The band's summer newsletter owns up to the missing May single and books an autumn UK tour with The Julie Dolphin.
Radiohead top the bill over four Polish bands, at a festival where few in the crowd know who they are.
The field claps along to “Creep”, but Melody Maker finds the rest of the set too small for the big stage.
Twelve days before “My Iron Lung” is out, the band spend their session on songs nobody can buy yet.
The band fill a hall in the town where they met at school.
The band nearly stopped in the winter of 1993, the same year that gave Thom Yorke “My Iron Lung”, his song aimed at “Creep”.
Midway through the UK tour for the new single, Thom Yorke and Jonny Greenwood take it onto live European television as a duo.
The first record from the sessions for the second album spreads six new songs over two CDs, and its title track was taken from a London concert.
Rather than fly in for one big show in the capital, the band spent two weeks finding audiences in clubs and theatres around the country.
The Oxford pub room Thom Yorke says got Radiohead started is to stop putting on bands in January.
Thom Yorke and Colin Greenwood tell a fanzine why the wait since Pablo Honey has been so long.
A New York radio crowd hears two songs that are not yet on any record, and gets “You”, not the “Creep” some of them call for.
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