Two demo tapes from before Radiohead turn up online
The 1990 tape holds early forms of two Radiohead B-sides, recorded on a four-track by a band still using another name.
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Radiohead in 2006, written up from the press of the day and from the site's own news desk.
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The 1990 tape holds early forms of two Radiohead B-sides, recorded on a four-track by a band still using another name.
The request shows Radiohead are planning a summer tour, with two June nights already set aside for Chicago.
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The former Living Colour guitarist includes a version of “The National Anthem” on Other True Self, his second album with Masque.
The band have been chasing the song since the OK Computer sessions, and it has never had a studio release.
After two summers without a British festival, Radiohead will close one in Essex and one in Staffordshire on consecutive nights in August.
A song title for the seventh album and a single festival date are all Jonny Greenwood will give away about Radiohead's year.
Word that Yorke has a record of his own on the way comes from a film studio, not from the band.
Only 1,000 tickets were sold for a night whose every pound was meant for Friends of the Earth's climate campaign, and resellers have moved in on it.
With their EMI deal behind them, the band plan to put new songs out as downloads when they are ready instead of making fans wait a year for an album.
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A short post on Dead Air Space, signed by Thom Yorke and Stanley Donwood, asks what economic growth is worth as the seas rise.
Acts from ?uestlove to Sia remake 14 of the band's songs without them.
In the same interview Yorke says the lyrics for Radiohead's next album are more terrifying than those of OK Computer, and that it is no political record.
A London date the band never booked was being advertised, while every real date on their tour is already sold out.
The artist behind Radiohead's sleeves since 1994 gets a gallery to himself for the first time, from 19 May.
The band are back in the United States for the first time since headlining Coachella two years ago, and this time it is theatres, two nights at a time.
With Radiohead in the studio on the next album, two of them have come to London for a climate benefit and played songs nobody has heard before.
The model Yorke has in mind for the band's comeback is Waits in the 1980s, going away for a long time and coming back on his own terms.
The songs meant for the follow-up to Hail to the Thief had their first proper run-out over two nights, and the second brought one more of them to the full band.
The night moves to the end of August.
Back in the Empress Ballroom for the first time since the OK Computer tour, the band spent much of both nights on songs nobody can buy yet.
Yorke has made nine songs with Nigel Godrich away from the band, and says the others gave the record their blessing.
On the last night, songs nobody has heard on record make up more than a third of the set, and Thom Yorke admits from the stage that some are still rough.
Much of what the band are writing for their next record has still not been heard live, and America gets the next batch.
The Conservative leader says a postscript to his letter got him his favourite Radiohead song at KOKO; the band say the set was Thom Yorke and Jonny Greenwood's own choice.
Less than three weeks after Yorke announced it, the whole record is going round online, well before it reaches the shops.
Eight or nine songs a night came from the record the band are still making, and Thom Yorke talked to the crowd more warmly than he used to.
Only 11 songs were common to the two sets, and each night carried eight or nine unreleased songs.
Yorke ties his solo record to his anger at the government, and says Radiohead might put out new music before any album is finished.
Yorke has signed his own album for one record only, and says the band have not yet decided whether the next Radiohead album goes the same way.
Bonnaroo was the one stop on the band's North American run to get a single night, and it got the longest show of their year so far.
Yorke also tells the Observer why Radiohead stopped in 2004, why The Eraser did not go to EMI, and that the band's seventh album still has no producer.
Thom Yorke heard who had been in the crowd only two days later, and he suspects the crew kept it from him on purpose.
Three years after Hail to the Thief, with no record in sight, the band are trying out their new songs in theatres, nine of them on the first Chicago night.
Out of contract since their EMI deal ended, Radiohead have not yet settled how the next album will come out, and going it alone is on the table.
Hundreds of fans without tickets heard the band's first Los Angeles night from outside the venue, and the man on stage had no idea.
In a long studio conversation, Yorke says his favourite way into a song is still someone else's idea, and talks frankly about depression.
American television gets a song from Yorke's first solo album in the week the record came out, with no band behind him.
Yorke's solo album is up against Arctic Monkeys, Muse and Hot Chip for the £20,000 prize, and William Hill rate it as highly as any of them.
The reviews turn on how much of Radiohead is in the record, and the answers run from the band's equal to the band's leftovers.
Three years after doing it to Pink Floyd, a reggae collective has remade a whole Radiohead album song for song, without the band, for release in late August.
In its first week in America, only a Now That's What I Call Music! compilation sold more than Yorke's record.
Two weeks after The Eraser came out, Yorke puts up a few broken lines that read like a bad end-of-term report, mark and all.
Yorke's case against the Prime Minister over Lebanon was that he speaks for neither the country nor his own cabinet.
One sets the band's songs on glockenspiel for small children; the other turns them into crunk and costs nothing.
A day before the Avenches show, Yorke finally sees the outsider art that shaped him as a student, and wants everyone else to go.
Yorke also worries that The Eraser will be taken as a sign that Radiohead are splitting up.
Free of their contract, the band found that nobody needing a record meant nobody finishing one.
Three nights in six days took Radiohead to Hungary for the first time, and none of the three sets had room for “Creep”.
Back at a British festival for the first time in three years, the band lean on their best-known records and slip in three songs nobody can buy yet.
The band's second V night ended like the first, on a song they had not played in the two years before that weekend.
The first single from The Eraser, and Yorke's first under his own name, has done best on the independent chart, where it goes in at number three.
Three and a half months after it was called off, the second Amsterdam night closes the band's year of new-song shows.
Radiohead's Bonnaroo show, six unreleased songs and all, is on film, and the band are in no hurry to let it out.
Thom Yorke gave the news on the night his solo record lost the Mercury Prize to Arctic Monkeys.
Both prizes reward the campaign behind his solo album, and one of them went to a free ringtone from it.
College students anywhere in the world have until March to make a video for a song from The Eraser.
The follow-up to Hail to the Thief is under way at last, and Yorke thinks it is starting to go somewhere.
Yorke wants tours to burn far less energy, but admits the rest of Radiohead do not feel as strongly and the shows will go on.
Asked on BBC television how he would most like to be remembered, Thom Yorke picks an album track from Kid A.
Paintings from three Radiohead album campaigns go on the walls of a Spanish gallery for just over three weeks, with a picture book alongside.
A weekend at the National Film Theatre gives the big screen to a decade of the band's promo films, with two unreleased songs in the programme.
With the band off for a week, Yorke spends his blog post on global warming and empty seas.
A Radiohead cover of a Björk song is on Thom Yorke's wish list, if he can bring the rest of the band round.
The public's pick is the first piece Greenwood wrote for the BBC Concert Orchestra, a work for strings first heard in 2005.
Two songs fans have heard only at this year's shows will be out to download before Christmas, with Yorke and a piano and nobody else.
A song from Thom Yorke's solo weekend at Neil Young's 2002 benefit can now be bought, with the money going to a school for disabled children.
Yorke's album without the band puts him in a Grammy race with Arctic Monkeys and Gnarls Barkley in February.
The remixes sent in for Yorke's solo album are going up gradually, free to download, and each stays up only briefly.
One of the songs Yorke plays alone on Nigel Godrich's new web show already exists in a studio version, and he prefers it.
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