2025

How to Disappear, shot on film over more than 20 years, is the bassist's first book of photographs, with a 10,000-word essay of his own.

It is only the second record the two have made together, nine years after “Beautiful People” on Pritchard's album Under the Sun.

Ed O'Brien also says Radiohead have turned up takes left off Pablo Honey, their 1993 debut, and that something should come of them.

Two songs from the band's second album of 2024, after Wall of Eyes, are reworked by a producer and a sometime live member.

A string piece Greenwood wrote in 2005 gets a Berlin performance in front of a live radio audience, while a Danish ballet dances to it in Copenhagen.

He spoke twice in the city that week, on a climate panel and at a masterclass, and both times about what music had done for him.

The guitar's picking hand is a motor driven by MIDI, and O'Brien was the first player to put his name down for one.

Yorke's first record for Warp comes with a feature-length film by Jonathan Zawada, to be shown in cinemas around the world for one night only.

The band set up companies like this one before In Rainbows, The King of Limbs and A Moon Shaped Pool.

Radiohead have been marking 30 years of The Bends with photographs and interviews from the time rather than a reissue, and this tape is the centrepiece.

A charity listing that seemed to promise a Radiohead tour has nothing to do with the band, though talk of autumn dates in Europe goes on.

The third song from Tall Tales comes a month before the album, which is due on 9 May with Zawada's film of it in cinemas the night before.

Shakespeare's tragedy and the 2003 album share a stage at Aviva Studios until 18 May, before the production moves to Stratford-upon-Avon in June.

Greenwood had been writing the music for Gyllenhaal's Frankenstein film, which Warner Bros. have pushed back to March 2026.

The pairing was a stage designer's idea from soon after the album came out, and it has turned the songs into fragments played under Shakespeare's lines.

Daniele Luchetti's film put Yorke in the running for two of Italy's national film prizes, one of them for a song he wrote and sings himself.

For one night the album reaches a cinema screen before it reaches the shops, as a single film with every song in it.

Pitchfork's Jazz Monroe calls the last song out before the album its centrepiece and its highlight.

The artist behind the film that goes with Thom Yorke and Mark Pritchard's album answers viewers who decided his work was machine-made.

Its first week in the shops puts the Warp album on seven of the Official Charts Company's lists, and highest on the specialist ones.

Each find goes into an online ledger of all 400 numbered coins, which shows where each one turned up and who found it.

Colin Greenwood's first North American run as the Bad Seeds' bassist came to 19 shows in a month, with his Radiohead book signed in shops along the way.

Warp now count the coins film as the third part of Tall Tales, after the film's cinema premiere on 8 May and the album the next day.

Most critics pick out “The Spirit”, and “Happy Days” is the song that divides them.

Much of it is about why he said nothing after a heckle in Melbourne last October, and what being called complicit for it has cost him.

He had come to the Hay Festival to talk about his book of Radiohead photographs, and spoke about Jonny's cancelled concerts too.

With Thom Yorke giving no interviews for Tall Tales, his collaborator has told the album's story alone, from a dinner in Sydney in 2012 to the Sunday video calls that followed.

The film catches the last European night of the Wild God tour, at the Accor Arena, in front of a crowd Bass Magazine put at 20,000.

Yorke tells Electronic Sound he has yet to see a machine produce an original thought, and that devaluing everyone else is what the tech industry does best.

With no tour yet announced, the statement rests mostly on Jonny Greenwood's concerts in Tel Aviv with Dudu Tassa.

A year after he joined the Bad Seeds on bass for the Wild God tour, Greenwood is the whole of Cave's band for the summer.

Thirteen years after Reich turned Radiohead songs into a piece of his own, Greenwood was in the orchestra for one of Reich's works on the opening night of a Manchester weekend.

Answering a fan under his Glastonbury post, O'Brien says that staying off social media is not the same as staying silent.

This Is What You Get, opening at the Ashmolean in Oxford tomorrow, is the pair's first exhibition in a museum.

More than 180 works from the pair's 30 years of art for Radiohead, Yorke and The Smile are on show in Oxford until 11 January.

Two members of Radiohead join the musicians asking ministers to turn down any new bid to drill a North Sea field whose approval a Scottish court struck down in January.

It is the first full-length live album Radiohead have put out; the only other, I Might Be Wrong in 2001, had eight songs.

As the Ashmolean shows his art with Thom Yorke's, Stanley Donwood goes back to how a fire-breathing busker ended up making Radiohead's sleeves.

Most of its pictures, of Radiohead at work and on the road, date from 2003 on, and most were shot on a small film camera.

Talking to his old university's magazine, O'Brien goes back to his Manchester student years and to the audit that changed where Radiohead chose to play.

Neither Yorke nor Stanley Donwood likes giving interviews together, but with their art filling the Ashmolean in Oxford they sat down as a pair for this one.

Behind the Italian title is a French film from 2019 that reads Radiohead's records through the politics of the years they came out in.

The climb took all summer, through the UK chart and four US Billboard charts in June, and it carried “Creep” along with it.

After Norwich in 2024 and Knoxville in March, the work has now been heard in four countries, played each time by the same two organists.

Shot over three days in February in the city's outlying neighbourhoods, the film is about the artists who resist there.

The Guardian's art critic judged the paintings poor as art, but Hyperallergic and Oxford's student paper both found the show well worth the trip.

The former Pink Floyd leader says Yorke wrote back to him, with jokes, and that the whole exchange will be published.

Radiohead's bassist, who joined Nick Cave's band in 2024 as a stand-in, is in its printed line-up for a third straight year.

The signatories want to know why so much of the money collected for them goes on running the society.

Tall Tales was made almost entirely by file, email and video call, with the producer in Sydney and the singer in Oxford.

Days before their first tour since 2018, Radiohead talk about the boycott campaign against them, and about why they stopped.

Carried by TikTok, the 1997 album track has given Radiohead their first Billboard Hot 100 entry since “Nude” in 2008.

Five days before the tour opens in Madrid, the campaign answers the band's Sunday Times interview with its third call since June.

Radiohead's first tour since 2018 opens in Madrid next week, and two Flemish papers say the band are getting ready for it just outside Antwerp.

Three months after it slipped out as a download, the live set has reached the charts on both sides of the Atlantic, from UK vinyl to the very foot of the Billboard 200.

Labour promised a cap on resale prices at the last election, and the artists want the prime minister to put that promise into law.

Left with a free night in the city, some of them a long way from home, ticket holders sang the songs themselves.

For the band's first show in the round, the crew had to make sure nothing hanging over the stage blocked anyone's view of it.

All four Copenhagen shows had sold out, and some of the fans whose nights were postponed had come from northern Jutland and the Netherlands.

The shortlist leaves Greenwood one step from a third Oscar nomination for a film score.