2026

Flea's first solo album was made with Los Angeles jazz players, and Yorke, his bandmate in Atoms for Peace, is one of its two guest singers.

Anyone who stood in an arena in Madrid, Bologna, London, Copenhagen or Berlin late last year can now hear again what played before the band walked on.

Paul Thomas Anderson's film keeps winning the big prizes, while Ludwig Göransson has taken the score award at the Critics Choice, the Golden Globes and now the composers' own society.

A short Italian study reads the band's records, from Pablo Honey to A Moon Shaped Pool, through Heidegger, Arendt and the philosophers of technology.

Asked about the calls to boycott Radiohead's tour, Jonny Greenwood tells The Times that music and art should stand above politics.

Nothing has been said about what it is for, but the last time the band registered a company together, a tour followed within the year.

One Battle After Another takes Best Film and five more awards, so the night belongs to Paul Thomas Anderson even as his composer leaves without a prize again.

Greenwood and Paul Thomas Anderson objected to his score turning up in a documentary about Melania Trump, and the producer, a Radiohead fan who says he paid top dollar, is keeping it.

A US government agency has set a choral version of the song to photographs of crime victims, and the band say nobody asked them.

The concerto began as a rewrite of his 2019 Proms piece and ended up keeping only one eight-note phrase of it.

He names the band as a central influence on his new album, which has The Smile's Tom Skinner on drums.

Paul Thomas Anderson's film takes six Oscars, Best Picture among them, but its music loses to the score that has beaten it all season.

The plan comes from the member who, after the 2018 tour, was sure the band had nothing left in them.

Radiohead's bassist backed Jarvis Cocker, Beth Orton, Rufus Wainwright and Anna Calvi on a night that sent the new Faithfull film out to cinemas.

If O'Brien has it right, it will be Yorke's fourth solo album and his first since Anima in 2019.

Lamar left the song off his 2012 album and has never released it, and a livestream clip has now brought it back round.

Radiohead played the New Adelphi Club three times in 1992 and 1993, and the drummer remembers what its founder did for them.

The new songs go back to Radiohead's tours of 2017 and 2018, when Ben Tzur and the Rajasthan Express were the support act.

The art and sound of the Kid A and Amnesiac years get real rooms in five cities over ten months, though the band will not be at Coachella.

Talking to Dorian Lynskey, Greenwood goes back from the school band to the band playing together again, and is still the irritating younger brother.

The band played no set in Indio this year, but the film they made from the Kid A and Amnesiac sessions was the first thing shown in the festival's new underground room.

With the Barbican gone in under a day, release week brings three more chances to see him in the UK, at evenings of conversation and film.

Yorke is one of three music acts at a Greenpeace benefit otherwise given over to letters read aloud, with Tom Odell and Jon Hopkins the others.

His pick for the first Radiohead record that was truly new is The Bends, the album that, by his account, the hit single made possible.

Greenwood's Oscar-nominated score lost a vote of ASCAP's composer members to a film the Academy had passed over entirely.

The first record from the Junun circle in more than a decade brings in The Smile's drummer and adds Greenwood's chord changes and keyboards.

The installation that began under the Coachella grounds now has a home in New York until 28 June, the first of four cities it visits into February 2027.

How the record will be released is undecided, and Greenwood doubts one could take it on without coming under pressure from the boycott campaign.

His second solo album is tuned to 432 Hz from start to finish, an idea Radiohead turned down when he raised it for A Moon Shaped Pool.

On the eve of his second album, O'Brien talks about the birdsong that got him through his depression and the cost of taking the record on the road.

His first album under his own name grew out of a depression that set in during the second lockdown, he tells Stereogum on the day it comes out.

He would rather be challenged by playing something new, and he starts his film scores by tying his own hands.

The week after his second album came out, O'Brien also told how a depression with roots in his childhood caught up with him in lockdown, and how he found his way back.

Two Dutch critics heard the Amsterdam performance, and one of them, a rock fan new to the concert hall, liked it a good deal more than the other.

As the man behind Curfew and Nightshift stops writing after three decades, the band credit him with giving Oxford's young bands, themselves among them, the belief they needed.

Two weeks on, the second solo record has warm notices, a UK chart place and an interview in which O'Brien talks about the depression he came through.

Greenwood admits past tours with the Rajasthani group have cost them money, and wonders if India is the only way to take the new album out.

Anyone in New York who has not yet seen the Kid A Mnesia installation now has another fortnight before it heads to Chicago.

In the same interview he says another Radiohead tour is being talked about but is a long way off, and that Thom Yorke is recording on his own.

He also tells Variety why Ranjha, his second record with Shye Ben Tzur and The Rajasthan Express, took more than a decade to follow Junun.

Greenwood's score for One Battle After Another made the final three at the German classical recording prizes, but the jury chose music written for television.

The piece, named after a Philip Larkin poem, sits in an afternoon of music about Antarctica, isolation and the natural world.

Played a forgotten track on a podcast, O'Brien was taken aback by the likeness, then found the one chord where Radiohead part company with it.

Yorke's evening at a free open-air festival is given over to someone else's film, one that happens to have a song from Amnesiac in it.

A band Lena Hall and Charlene Kaye started as a joke sold out a Manhattan club in June with a whole Radiohead album.

Four months after he set out a plan for a new continent each year, O'Brien says last winter's arena nights left the band too drained to give more than 20 a year.

A wordless outtake from the Blue Morpho sessions, named after a Welsh village, is now out for everyone.

The first time was after A Moon Shaped Pool, when the others talked him into touring the record anyway.

His talk in Denver at the end of May, after a screening of the Blue Morpho film, is now out as an episode of the Outside Podcast.

Two organists will play it on a pipe organ nearly 200 years old, and Greenwood will not be among the performers.

Harrison, who usually runs his own records from behind the computer, left the shaping of these songs to Godrich and stuck to singing and guitar.

Radiohead's drummer spent the night behind a Tyneside folk band and an orchestra, and Radio 3 airs the whole concert tonight.

From a band that turned interviews down in its early years, Skinner gives a detailed account of the first jam in Oxford and of how the three albums were made.

His music for Paul Thomas Anderson's One Battle After Another puts him up against the year's best film composers, with the prize given in Belgium in October.

Nothing is booked there yet, but in two Spanish-language interviews O'Brien spoke of a return as a certainty.

Three of Radiohead are among more than 200 musicians urging the Prime Minister to turn down Rosebank, which Hot Press calls the UK's biggest untapped oilfield.

On J-Wave, O'Brien calls the dark spell that produced Blue Morpho a place he needed to be.

Radiohead had therapists on call for their 2025 tour, and the drummer wants the same help for bands still driving the van to small rooms, as they once did.

The pair tell Het Parool their drawings began beside The Smile's first album sessions, in a medium that keeps every slip.

Once a seat type at a show is fully applied for, it closes, and the official site says it then gets no general sale.

Steve Reich's piece built on two Radiohead songs got a Radiohead member on bass, and Greenwood took the solo guitar in Electric Counterpoint as well.

Before his Milan show, O'Brien tells Corriere della Sera how making his second solo record helped him work through a depression rooted in childhood.

The tour's first night mixed the new album with three songs from Earth and one that never made the record.

On the tour's only Italian night, O'Brien invited the stalls to join him at the front, until the ushers sent them back to their seats.

Talking to O'Brien backstage in Milan, Rolling Stone Italia learned when Radiohead go back to the rehearsal room before Australia and Japan.

The shows were fun while they lasted, Yorke tells Harry Styles, but he needed months and a return to his solo work before he felt himself again.